Morgan Powell

Morgan Powell, Cleveland Chamber Symphony, The Ineluctable Modality, Edwin London, Tone Road Ramblers

4 ma 5 chce
Rok
1996
Kraj
US
Format
CD
Album
Label
New World Records
80499-2
Classical ContemporaryAvantgarde
Identyfikatory
Barcode: 093228049920 Barcode: 0 9322-80499-2 0 Matrix / Runout: DIDX-034701 1 ๐ŸŠ ๐ŸŠ๐ŸŠ ๐ŸŠ๐ŸŠ๐ŸŠ๐ŸŠ๐ŸŠ๐ŸŠ๐ŸŠ๐ŸŠ Mastering SID Code: IFPI L324 Mould SID Code: IFPI 5004 Other: DIDX #034701
Tracklista
1
Red White And Black Blues
15:27
2
Old Man
4:32
3
Orphans
6:11
4
Suite Changes
15:11
5
Outlaws
10:02
6
Loneliness
5:19
7
Transitions
10:37
Notatki wydania
1: Red White and Black Blues (1992) for chamber orchestra, was commissioned and premiered by the Cleveland Chamber Symphony, Edwin London conducting. 2: Old Man (1967) for mixed choir, brass, percussion, and cello is based on a poem by Paul Zelanski. 3: Orphans (1995) was written for John Fonville (microtonal flutes) and Steve Butters (microtonal metals). 4: Suite Changes (1985) was commissioned by the Concert Artist Guild of New York City, for David Bilger. It was premiered by Bilger and Jim Winn at Carnegie Recital Hall, February 4, 1986. The movements of the Suite are March, Jazz, and Waltz. 5: Outlaws (1995) was commissioned by the Tone Road Ramblers. 6: Loneliness (1969) is scored for mixed chorus and instrumental quartet (tuba, trombone, harp, and violin.) Text: Kenneth Rexroth: The Collected Shorter Powems. Copyright 1956 by Kenneth Rexroth. Reprinted by permission of New Directions Publishing Corp. The translation of the Tu Fu poem is by Kenneth Rexroth. 7: Transitions (1975) was commissioned by the University of Illinois Contemporary Chamber Players, Edwin London conductor, Daniel Perantoni, tuba. All the compositions were recorded in Foellinger Great Hall, Krannert Center for the Performing Arts, Urbana, Illinois, except for Red White and Black Blues and Transitions. Old Man was recorded live May 9, 1969. Orphans and Outlaws were recorded October 5, 1995. Suite Changes was recorded October 17, 1995. Loneliness was recorded live July 8, 1970. Red White and Black Blues was recorded in Waetjen Hall, Cleveland, Ohio, September 24, 1992. Transitions was recorded at Smith Music Hall, the University of Illinois, in 1976. Digital mastering: George Blood Professional Audio Services, Philadelphia โ„— 1996 ยฉ 1996 Recorded Anthology of American Music, Inc. Printed in USA. Made in U.S.A.
Credits
  • A&R [For New World Records, Artists And Repertory Administrator] Alan Margolis
  • A&R [For New World Records, Director Of Artists And Repertory/Director Of Development] Howard Klein
  • Administrator [For New World Records, Administrative Associate] Virginia Hayward
  • Commissioned By Cleveland Chamber Symphony
  • Commissioned By Concert Artist Guild Of New York City
  • Commissioned By Tone Road Ramblers
  • Commissioned By [With Grants From] Francis Goelet
  • Commissioned By [With Grants From] National Endowment For The Arts
  • Commissioned By [With Grants From] The New York State Council On The Arts
  • Composed By Morgan Powell
  • Design [Cover Design] Bob Defrin Design
  • Edited By [Editing] Jon Schoenoff
  • Engineer Carl Volkers
  • Engineer John Cirillo (2)
  • Engineer Jon Schoenoff
  • Liner Notes Edwin London
  • Management [For New World Records, Managing Director] Paul Marotta
  • Management [For New World Records, President] Herman E. Krawitz
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees, Chairman] Francis Goelet
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees, Treasurer] David Hamilton (11)
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees] Adolph Green (3)
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees] Arthur Moorhead
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees] Don Roberts (14)
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees] Elizabeth Ostrow
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees] Emanuel Gerard
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees] Frank Stanton (3)
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees] Herman E. Krawitz
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees] Howard Klein
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees] Milton Babbitt
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees] Patrick Smith (19)
  • Management [Recorded Anthology Of American Music, Inc., Board Of Trustees] Rita Hauser
  • Marketing [For New World Records, Director Of Marketing] Paul M. Tai
  • Marketing [For New World Records, Marketing Associate] Michael Hoffman (15)
  • Mastered By [Digital Mastering] George Blood
  • Mastered By [Mastering] Jon Schoenoff
  • Producer Morgan Powell
Firmy
  • Phonographic Copyright (p) Recorded Anthology Of American Music, Inc.
  • Copyright (c) Recorded Anthology Of American Music, Inc.
  • Copyright (c) Kenneth Rexroth
  • Recorded At Foellinger Great Hall
  • Recorded At Waetjen Auditorium, Cleveland State University, Ohio, USA
  • Recorded At Smith Memorial Hall, Urbana, IL
  • Mastered At George Blood Professional Audio Services
  • Glass Mastered At DADC

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