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Artaserse

Johann Adolf Hasse, Pinchgut Opera

2 ma 8 chce

Rok

2019

Kraj

Australia

Format

Label

Pinchgut Live

PG011

Classical BaroqueOpera

Identyfikatory

Barcode: 0 793591 898582 Barcode: 0793591898582 Other: PG011-1 Other: PG011-2 Other: PG011-3

Tracklista

Artaserse. Opera In Three Acts

1-1

Sinfonia: Allegro Assai - Poco Lento -

2:24

1-2

Allegro Assai

2:05

Act One

Scene 1

Scene 2

Scene 3

Scene 4

Scene 5

Scene 6

Scene 7

Scene 8

Scene 9

Scene 10

Scene 11

Scene 12

Scene 13

Scene 14

Scene 15

Act Two

Scene 1

Scene 2

Scene 3

Scene 4

Scene 5

Scene 6

Scene 7

Scene 9

Scene 10

Scene 11

Scene 12

Scene 15

Act Three

Scene 1

Scene 2

Scene 3

Scene 4

Scene 5

Scene 7

Scene 8

Scene 9

Scene 10

Scene 11

Notatki wydania

Made in Australia 3-CDs digipack with 64pp booklet. Total time: CD1 70:14, CD2 55:41, CD3 51:53 Recorded live in City Recital Hall, Sydney, on 29 November and 1, 2, 4 and 5 December 2018 Instruments: · Violin Brendan Joyce: Workshop of Matthias Albani, Tyrol, Italy, 1700s Stephen Freeman: Benoît-Joseph Boussu, Brussels, Belgium, 1759 Matthew Greco: David Christian Hopf, Quittenbach, Germany, 1760 Simone Slattery: Claude Pierray, Paris, France, 1726 Rafael Font Viera: Steffen Nowak, Bristol, UK, 2012, after Nicola Amati, Cremona, Italy, 1666 Annie Gard: Simon Brown, Sydney, Australia, 2008 Caroline Hopson: Anonymous, Saxony, Germany, 1744 Anna McMichael: Camilli Camillus, Mantua, Italy, 1742 Skye McIntosh: Joseph Panormo, London, England, 1820 · Viola Gabrielle Kancachian: Jakob Weiss, Salzburg, Austria, c. 1720 James Eccles: Hiroshi lizuka, Philadelphia, USA, 1992 (original model based on viola d'amore design) David Rabinovici: Jan Pawlikowski, Krakow, Poland, 2012, after Amati (kindly loaned by Anthony Donovan) · Cello Anton Baba: Peter Elias, Aigle, Switzerland, 2000, after Stradivarius Natasha Kraemer: John Barrett, London, England, 1743 · Bass Kirsty McCahon: Giuseppe Abbati, Modena, Italy, c. 1750 Jacqueline Dossor: Unknown, Bologna, Italy, c. 1740 · Flute Melissa Farrow: Martin Wenner, Singen, Germany, after Carlo Palanca, Turin, Italy, c. 1765 Mikaela Oberg: Fridtjof Auron, Düsseldorf, Germany, 2016, after Carlo Palanca, Turin, Italy, c. 1750 · Oboe Amy Power: Pau Orriols, Vilanova i la Geltrú, Spain, 2007, after Thomas Stanesby Jr (1692-1754) Ingo Müller: Wolfgang Kube, Berlin, Germany, 2016, after Thomas Stanesby Jr · Bassoon / Contrabassoon Simon Rickard: Four-key bassoon by Mathew Dart, London, England, 1995, after J.C. Denner, Germany, c. 1690 Brock Imison: Bassoon by Matthew Dart, London, England, 2012, after J.C. Denner, Germany / Five-key contrabassoon by Guntram Wolf, Kronach, Germany, 2016, after Andreas Eichentopf, Germany, 1714, commissioned by Pinchgut Opera · Horn Carla Blackwood: Richard Seraphinoff, Bloomington, USA, 2018, after J. Leichnambschneider, Vienna, Austria, c. 1730 Mark Papworth: Richard Seraphinoff, Bloomington, USA, 2009, after J.W. Haas, Nuremburg, Germany, c. 1730 · Harpsichord Erin Helyard: Ruckers double harpsichord by Carey Beebe, Sydney, Australia, 2003, courtesy of Carey Beebe Harpsichords Donald Nicolson: Flemish Double Harpsichord by Carey Beebe, Sydney, Australia, 1989, courtesy of Nathan Cox · Theorbo / Guitar / Gallichon Simon Martyn-Ellis: Theorbo by Jiri Cepelák, Prague, Czech Republic, 2004 / Baroque guitar by Marcus Wesche, Bremen, Germany, 2011 Nicholas Pollock: Theorbo by Klaus Jacobsen, London, UK, 2011 / Gallichon by Gerhard Söhne, Krailling, Germany, 2005