In London - The Mercury Masters Volume 1
★ 5.00
3 ocen
29 ma
22 chce
Rok
2025
Kraj
Australasia
Format
CD, Box Set
Remastered, Stereo
Label
Mercury
484 7015
Classical BaroqueClassicalRomanticLate RomanticModernSymphonySuiteBalletConcertoOvertureOperaString InstrumentPianoOrchestra
Identyfikatory
Barcode: 0 028948 470150
Barcode: 0028948470150
SPARS Code: ADD
Matrix / Runout: (1289302) 00028948470167 02 0001
Mould SID Code: IFPI LV77
Mastering SID Code: IFPI KK3F
Tracklista
The Love For Three Oranges: Suite, Op. 33a
Scythian Suite, Op. 20
Serenade In G Major, K. 525 'Eine Kleine Nachtmusik'
Symphony No. 36 In C Major, K. 425 'Linz'
Le Coq D'Or: Suite
3-5
11:17
Prince Igor - Polovtsian Dances
Symphony No. 3 In A Minor, Op. 56 'Scottish'
4-5
10:17
The Hebrides Overture, Op. 26 (Fingal's Cave)
Gli Uccelli, P. 154 = The Birds
Impressioni Brasiliane, P. 153 = Brazilian Impressions
Variations On A Theme By Haydn, Op. 56a
Hungarian Dances, WoO 1
Symphony No. 100 In G Major, Hob. I:100 'Military'
Symphony No. 101 In D Major, Hob. I:101 'The Clock'
8-1
6:54
La Forza Del Destino: Overture (Sinfonia)
8-2
7:51
Nabucco: Overture
8-3
8:40
I Vespri Siciliani: Overture (Sinfonia)
La Traviata
Water Music: Suite
Music For The Royal Fireworks
Gayaneh - Ballet Music
10-9
18:44
Romeo And Juliet - Fantasy Overture, TH 42
11-1
14:00
Má Vlast, JB 1:112 - Vltava
11-2
11:07
Night On Bald Mountain (original Version)
11-3
15:43
Les Préludes - Symphonic Poem No. 3, S. 97
11-4
6:09
Two Pieces From Kuolema - Valse Triste, Op. 44 No. 1
The Firebird, K10
13-1
16:27
Tristan Und Isolde, WWV 90 - Prelude & Liebestod
13-2
21:34
Tannhäuser, WWV 70 - Overture & Venusberg Music
13-3
3:01
Lohengrin, WWV 75 - Prelude To Act III
14-1
11:55
Romanian Rhapsody In A Major, Op. 11 No. 1
14-2
13:01
Romanian Rhapsody In D Major, Op.11 No. 2
14-3
8:19
Hungarian Rhapsody No. 6, S. 359/3 (Orch. In D Major From S.244/6)
14-4
9:39
Hungarian Rhapsody No. 2, S. 244/2 (Orch. In C Minor)
Symphony No. 8 In G Major, Op. 88, B. 163
15-5
8:42
Carnaval Overture, Op. 92, B. 169
Symphony No. 7 In D Minor, Op. 70, B. 141
Appalachian Spring - Suite (Ballet for Martha)
Billy The Kid - Complete Ballet
Symphony No. 5 In E Minor, Op. 64
18-1
15:10
Russian Easter Festival Overture, Op. 36
18-2
11:14
Prince Igor - Overture
Capriccio Espagnol, Op. 34
18-8
11:17
Prince Igor - Polovtsian Dances
Symphony No. 1 In C Minor, Op. 68
Wellingtons Sieg, Op. 91 Oder Die Schlacht Bei Vittoria = Wellington's Victory, Or The Battle Of Vittoria
20-3
9:16
Deems Taylor's Commentary On 'Wellington's Victory' & Sound Effects
20-4
13:56
Leonore Overture No. 3, Op. 72b
20-5
4:50
Die Geschopfe Des Prometheus, Op. 43 - Overture = The Creatures Of Prometheus
Lulu Suite
Wozzeck, Op. 7 (excerpts)
Symphony No. 4 In F Minor, Op. 36
Symphony No. 40 In G Minor, K. 550
Symphony No. 45 In F Sharp Minor, Hob. I:45 'Farewell'
Piano Concerto No. 3 In D Minor, Op. 30
25-1
10:05
Die Meistersinger Von Nürnberg, WWV 96 - Prelude To Act I
25-2
9:28
Parsifal, WWV 111 - Karfreitagszauber (Good Friday Music)
25-3
13:38
Tannhäuser, WWV 70 - Overture (Dresden Version, 1845)
25-4
9:26
Lohengrin, WWV 75 - Prelude To Act I
Cello Concerto In B Minor, Op. 104, B. 191
26-4
9:55
Kol Nidrei, Op. 47
The Nutcracker, Op. 71, TH 14
Violin Concerto In D Major, Op. 77
29-1
8:06
Oberon, J. 306 - Overture
Symphony No. 4 In D Minor, Op. 120
Symphony No. 6 In F Major, Op. 68 'Pastoral'
Notatki wydania
This Edition: ℗ 2025 Universal International Music B.V. Artwork © 2025 Universal Music Australia Pty. Ltd. Marketed in Australasia by Universal Classics & Jazz, a division of the Universal Music Group under exclusive licence. Made in Australia. All rights of the owner of copyright in this recording reserved. Any copying, renting, lending, diffusion, public performance or broadcast of this record without the authority of the copyright owner is prohibited.
Editor's Note: Used the | character to separate parts or acts that ordinarily call for a Header, but is not used here, to keep complete works under a single Index Track.
Editor's Note: Some tracks are divided into separate subtracks as clearly presented on disc sleeves or booklet, to manage multipart tracks. Track position is as printed or by using #.# convention. The printed track timing is entered as the [b]first[/b] Sub-track's duration.
CD 1 35'30
Recording Location: Watford Town Hall, London, UK, 4 July 1957
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann KM-56 microphones (L-R)
Original Mercury Release: SR 90006: February 1959
℗ 1959 Universal International Music B.V.
CD 2 48'12
Recording Location: Walthamstow Town Hall, London, UK, 6 July 1956
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann U-47 microphones (L-R)
Original Mercury Release: SR 90121: May 1960
℗ 1960 Universal International Music B.V.
CD 3 37'10
Recording Location: Walthamstow Town Hall, London, UK, 4-5 July 1956
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann U-47 microphones (L-R)
Original Mercury Release: SR 90122: February 1959
℗ 1959 Universal International Music B.V.
CD 4 48'43
Recording Location: Walthamstow Town Hall, London, UK, 4-5 July 1956
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann U-47 microphones (L-R)
Original Mercury Release: SR 90123: May 1960
℗ 1960 Universal International Music B.V.
CD 5 38'20
Recording Location: Watford Town Hall, London, UK, 5 July 1957 (Impressions), 7 & 10 July 1957 (The Birds)
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann KM-56 microphones (L-R)
Original Mercury Release: SR 90153: December 1959
℗ 1959 Universal International Music B.V.
CD 6 56'17
Recording Location: Watford Town Hall, London, UK, 5-6 July 1957 (11-17), 9 July 1957 (1-10), 31 July 1965 (18-26)
Recorded on 3-track half-inch tape; 1-17: using one Schoeps M201 microphone (centre) and two Neumann KM-56 microphones (L-R); 18-26: using three Schoeps M201 microphones
Original Mercury Release: SR 90154 (1-17): June 1959; SR 90437 (18-26): March 1966
℗ 1959 (1-17), 1966 (18-26) Universal International Music B.V.
CD 7 50'25
Recording Location: Watford Town Hall, London, UK, 7-10 July 1957
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann KM-56 microphones (L-R)
Original Mercury Release: SR 90155: April 1960
℗ 1960 Universal International Music B.V.
CD 8 30'22
Recording Location: Watford Town Hall, London, UK, 9 July 1957
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann KM-56 microphones (L-R)
Original Mercury Release: SR 90156: February 1959
℗ 1959 Universal International Music B.V.
CD 9 31'00
Recording Location: Watford Town Hall, London, UK, 6 July 1957 (Water Music Suite), 8 July 1957 (Music for the Royal Fireworks)
Recorded on 3-track half-inch tape, using one Schoeps M201 microphone (centre) and two Neumann KM-56 microphones (L-R)
Original Mercury Release: SR 90158: February 1959
℗ 1959 Universal International Music B.V.
CD 10 40'10
Recording Location: Watford Town Hall, London, UK, 20 June 1959 (Tchaikovsky); Wembley (Brent) Town Hall, London, UK, 15 & 17 June 1960 (Khachaturian)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90209: November 1961
℗ 1961 Universal International Music B.V.
CD 11 47'28
Recording Location: Wembley (Brent) Town Hall, London, UK, 6-7 June 1960 (Liszt), 8 June 1960 (Mussorgsky), 9 June 1960 (Smetana), 13 June 1960 (Sibelius)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90214: September 1961
℗ 1961 Universal International Music B.V.
CD 12 41'34
Recording Location: Watford Town Hall, London, UK, 7-8 June 1959
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90226: March 1960
℗ 1960 Universal International Music B.V.
CD 13 41'05
Recording Location: Watford Town Hall, London, UK, 9 & 14 June 1959
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90234: April 1960
℗ 1960 Universal International Music B.V.
CD 14 43'20
Recording Location: Wembley (Brent) Town Hall, London, UK, 13-14 June 1960
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90235: May 1961
℗ 1961 Universal International Music B.V.
CD 15 80'51
Recording Location: Watford Town Hall, London, UK, 19-20 June 1959 (Symphony No. 8, Carnaval Overture), 17-18 July 1963 (Symphony No. 7)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Releases: SR 90236 (Symphony No. 8, Carnaval Overture*): October 1960; SR 90516 (Symphony No. 7, Carnaval Overture): April 1969
℗ 1960 (No. 8, Carnaval Overture), 1969 (No. 7) Universal International Music B.V.
*FIRST RELEASE ON CD
CD 16 59'09
Recording Location: Watford Town Hall, London, UK, 15, 16 & 24 June 1961
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90246: May 1962
℗ 1962 Universal International Music B.V.
CD 17 46'51
Recording Location: Watford Town Hall, London, UK, 23 June 1961
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90255: July 1962
℗ 1962 Universal International Music B.V.
CD 18 53'26
Recording Locations: Watford Town Hall, London, UK, 6 June 1959 (1-7), Walthamstow Town Hall, London, UK. 4 July 1956 (8)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones (1-7), and two Neumann U-47 microphones (L-R) (8)
Original Mercury Release: SR 90265: November 1960
℗ 1960 Universal International Music B.V.
CD 19 42'05
Recording Location: Watford Town Hall, London, UK, 16 & 18 June 1959
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90268: December 1960
℗ 1960 Universal International Music B.V.
CD 20 43'19
Recording Location: Wembley (Brent) Town Hall, London, UK, 7, 9 & 12 June 1960
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: LPS 9000: February 1961
℗ 1961 Universal International Music B.V.
CD 21 56'32
Recording Location: Watford Town Hall, London, UK, 19, 20, 22 & 24 June 1961
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90278: November 1961
℗ 1961 Universal International Music B.V.
CD 22 40'32
Recording Location: Wembley (Brent) Town Hall, London, UK, 12 June 1960
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90279: February 1962
℗ 1962 Universal International Music B.V.
CD 23 55'46
Recording Location: Watford Town Hall, London, UK, 22 June 1961 (Haydn), 23 June 1961 (Mozart)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90280: December 1962
℗ 1962 Universal International Music B.V.
CD 24 37'55
Recording Location: Watford Town Hall, London, UK, 16-18 June 1961
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90283: November 1961
℗ 1961 Universal International Music B.V.
CD 25 42'57
Recording Locations: Watford Town Hall, London, UK, June 9 and 14, 1959 (Tannhäuser); Wembley (Brent) Town Hall, London, UK, June 4, 1960 (Die Meistersinger, Parsifal, Lohengrin)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90287: September 1962
℗ 1962 Universal International Music B.V.
CD 26 48'08
Recording Location: Watford Town Hall, London, UK, 6, 7 & 10 July 1962
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90303: December 1962
℗ 1962 Universal International Music B.V.
CD 27 79'46
Recording Location: Watford Town Hall, London, UK, 11-13, 15 July 1962
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Release: SR 90306-7 (SR2-9013): December 1962
℗ 1962 Universal International Music B.V.
CD 28 40'25
Recording Location: Watford Town Hall, London, UK, 18 & 22 July 1962
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
HD Tape Transfers and Plangent Process: John K. Chester and Jamie Howarth
Original Mercury Release: SR 90308: December 1962
℗ 1962 Universal International Music B.V.
CD 29 78'20
Recording Location: Watford Town Hall, London, UK, 15, 17, 20 & 25 July 1962 (Beethoven), 18 & 19 July & 1963 (Schumann), 27 July 1962 (Weber)
Recorded on 3-track half-inch tape, using three Schoeps M201 microphones
Original Mercury Releases: SR 90415 (Beethoven): November 1964; SR 90511 (Schumann): June 1969; SR 90259 (SR 2-9134) (Weber): February 1971
℗ 1964 (Beethoven), 1969 (Schumann) 11971 (Weber) Universal International Music B.V.
Video
Review: Dorati's Enduring London Symphony Legacy (Vol. 1)
Credits
- Art Direction, Restoration [Images] Raymond Bannerman
- Booklet Editor Adam Freeman (2)
- Booklet Editor Bruce Raggatt
- Booklet Editor Philip Stuart
- Conductor Antal Dorati
- Edited By [Tape Editor] Harold Lawrence
- Engineer [Associate Engineer] Robert Eberenz
- Engineer [Chief Engineer] Robert Fine
- Engineer [Recording Engineer] Robert Eberenz
- Engineer [Recording Engineer] Robert Fine
- Engineer [Technical Supervisor] Robert Fine
- Executive-Producer [Executive Producer for Eloquence] Cyrus Meher-Homji
- Executive-Producer [Recording Director] Wilma Cozart
- Liner Notes David Patmore
- Orchestra London Symphony Orchestra
- Producer [Recording Producer] Harold Lawrence
- Producer [Recording Producer] Wilma Cozart
- Recording Supervisor [Musical Director] Alan Melville (2)
- Recording Supervisor [Musical Director] Harold Lawrence
- Reissue Producer, Remastered By [Remastering & CD sequencing/authoring] Thomas Fine
- Research [Repertoire and Data] Andrew Dalton (3)
- Research [Tape Archive Research] Stephen Nowlan
- Transferred By [HD Tape Transfers & Plangent Process] Jamie Howarth
- Transferred By [HD Tape Transfers & Plangent Process] John K. Chester
- Transferred By [HD Tape Transfers and Plangent Process] Jamie Howarth
- Transferred By [HD Tape Transfers and Plangent Process] John K. Chester
- Transferred By [HD Tape Transfers] Jared Hawkes
Firmy
- Marketed By Universal Classics & Jazz
- Phonographic Copyright (p) Universal International Music B.V.
- Copyright (c) Universal Music Australia Pty Ltd
- Pressed By Vantiva, Guadalajara, Mexico
- Recorded At Watford Town Hall
- Recorded At Walthamstow Assembly Hall
- Recorded At Wembley Town Hall
- Engineered At Abbey Road Studios
- Engineered At Plangent Processes
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Glass Mastered At Vantiva, Guadalajara, Mexico
- Pressed By Vantiva, Guadalajara, Mexico
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