Musica Baltica

Musica Antiqua Köln on authentic instruments Violin: Florian Deuter (J. Rogeri, Brescia, 1713); Reinhard Goebel (after Jacobus Stainer, R.G. Hargrave, 1997), Andrea Keller (tracks 7, 8; Deconetti, Ital.. ca. 1750), Volker Möller (track 3; after Amati, R.G. Hargrave, 1997) Viola: Wolfgang von Kessinger (tracks 1, 2, 3, 9–11, 12, 13, 14, 15–18, 19; anonymous, Flandern, 1650); Volker Möller (tracks 1, 2, 13, 14, 15–18, 19; Leopold Widhalm, Nürnberg, 1742), Reinhard Goebel (track 12; after J. Stainer, T.M. Muthesius, 1994) Violoncello: Markus Möllenbeck (Simon Gilbert, Metz, 1756) Viola da gamba: Anke Böttger (after Cheron, Michel Groppe, 1992), Jonathan Cable (after Collichon, René Gamy, 1997) Violone: Jonathan Cable (anonymous, um 1780) Bassoon: Rainer Johannsen (after Prudent, Laurent Verjat, 1994) Trumpet: Hannes Kothe (after Ehe, Rainer Egger, 1989), Ute Hartwich (nach Ehe, Rainer Egge, 1991) Theorbo: Michael Dücker (after Pietro Railig, Venedig, 1655, Hendrik Hassenfuß, Köln 1987) Harpsichord: Christian Rieger (after Christian Zell, Keith Hill, 1997) Organ: Christian Rieger (Gerrit en Henk Klop, Gardaren, 1993) Paul Luetkeman (ca. 1555–after 1611) 1. Choralfantasie a 5 »Innsbruck, ich mus dich lassen« violin I/II, viola I/II, violoncello (source: Neue lateinsche und deutsche Gesenge […] nebst […] Fantasien, Paduanen und Galliarden, Stettin, 1597. Ms. Herzog-August-Bibliothek, Wolfenbüttel) 2. Fantasia a 5 violin I/II, viola I/II, violoncello (source: Neue lateinsche und deutsche Gesenge […] nebst […] Fantasien, Paduanen und Galliarden, Stettin, 1597. Ms. Herzog-August-Bibliothek, Wolfenbüttel) Anonymous 3. Fantasia a 7 violes in C major violin I–III, viola, viola da gamba I/II, violoncello (source: Ms. Universitetsbiblioteket, Uppsala) Vincenzo Albrici (1631–1696) 4. Sonata a 5 in C major trumpet I/II, Violin I/II, bassoon, basso continuo (violoncello, violone, harpsichord, theorbo) (source: Ms. Universitetsbiblioteket, Uppsala) 5. Sinfonia in D minor violin I/II, basso continuo (organ, theorbo) (source: Ms. Universitetsbiblioteket, Uppsala) Johann Vierdanck (ca. 1605–1646) 6. Capriccio in d Violin I/II (source: Ander Theil darinnen begriffen etliche Capricci, Canzoni…, Rostock, 1641) 7. Capriccio in d violin I–III, basso continuo (violoncello, harpsichord, theorbo) (source: Ander Theil darinnen begriffen etliche Capricci, Canzoni…, Rostock, 1641) Thomas Baltzar (ca. 1630–1663) 8. Pavane a 3 in C major violin I–III, basso continuo (violoncello, organ) (source: Ms. Bodleian Library, Oxford) Nicolaus Hasse (1617–1672) Suite in D minor 9. Allemand 10. Courant 11. Saraband violin I/II, viola, basso continuo (violoncello, harpsichord) (source: Delitiae musicae…, Rostock, 1656) Andreas Kirchoff (ca. 1650) 12. Sonata in B flat major solo violin, viola I/II, basso continuo (violoncello, organ, theorbo) (Kopenhagen 1664. source: Ms. Universitetsbiblioteket, Uppsala) Dietrich Becker (1623–1679) 13. Sonata a 5 in F major violin I/II, viola I/II, basso continuo (violoncello, harpsichord, theorbo) (source: Musicalische Frühlings-Früchte, Hamburg, 1678) Johann Fischer (1646–1717) 14. Choral »Herzlich tut mich verlangen«[/b] violin I/II, viola I/II, basso continuo (violoncello, violone, organ) (source: Ms. Universitetsbiblioteket, Uppsala) Johann Valentin Meder (1649–1719) Sonata »Der Polnische Pracher« 15. (1) Preludio 16. (2) Choral 17. (3) Finale 18. (4) Aria violin I/II, viola I/II, violoncello, basso continuo (harpsichord) (Riga, ca. 1689. source: Ms. Biblioteka Polskiej Akademii Nauk, Gdańsk) 19. Sonata di Battaglia in C major from »Die beständige Argenia« violin I/II, viola I/II, violoncello, basso continuo (violone, harpsichord, theorbo) (source: Ms. Kunlia Biblioteket, Stockholm) This recording is a co-production with DeutschlandRadio, Köln Recording: Köln, DeutschlandRadio, Sendesaal, 10/1998 Musica Antiqua Köln: © Reiner H. Nitschke/Verlags-GmbH Fono Forum/MB